Saturday, 26 May 2012

Fashion By Royal Appointment

The Queen with a Royal Fan
So, what have you got planned for the Diamond Jubilee looonng weekend? A street party with a lovely bit of bunting? Heading up to London for a swell time at the river pageant?  Keeping it local at the Real Vintage Fair at The Hexagon on Sunday 3rd (with roller disco)? Taking it easy at the concert and garden party at Forbury Gardens on Sunday afternoon? Going to the carnival on west-side at Prospect Park on the Monday?
 
However you intend to celebrate our Queen’s 60 years of crowning glory we thought we would take a peek at the fashions and styles of 1952 to help us all get in the mood.

Okay, so what was being worn in 1952? Well, obviously some people were practising wearing a weighty seven pound diamond and rare jewel encrusted crown complimented with a full length velvet robe.  And everyone else? …
Bet she's wearing her slippers

For the Gals


The 1950’s was a decade of transitions. The early 50’s were still in the more formal style of the 40’s, reflecting an economy still recovering from WWII. Clothing coupons had been abolished in 1948 but food rationing only stopped in February 1952 (petrol rationing continued until 1957). After the mid 50's a more relaxed approach was to make its way in, with Capri trousers, denim, knitted sweatshirts, shorter hair and flat shoes, to give way to the 1960’s. But that was all still to come.

The 1950’s is epitomised as an era of glamour. There were two main styles in the early 1950’s. Women were sick of the drudge of the everyday as well as cost-cutting with their fabrics and looks during and since the war. They were more than ready for glamour and to re-emphasise their femininity. Enter Christian Dior’s New Look in 1947. Initially this radical and shocking look was not readily taken to but when people got their heads round it the style went on to reign supreme for another 10 years and is still influential today. So, 1952 was slap bang in the middle of this force of fashion.  The look was designed to highlight women’s narrow waists. With fitted jackets, nipped in waists and full A-line skirts this style gave the classic hourglass figure. It was sophisticated, elegant and feminine (and swishy). Most importantly the mid-calf length skirts lavishly used reams and reams of fabric which demonstrated luxury which women craved after years of scrimping. Underneath all that material was a support system of girdles, corsets and stiffened petticoats to keep the skirts big and the waistlines small.

The other dominant style worked along similar lines in a different way. The pencil skirt had been around since the 1940’s and was still on trend. In the previous decade the pencil skirt was popular because it was smart, flattering and cheap as it did not require too much material. In the 1950’s the ultra feminine pencil skirt remained a favourite because it emphasised the waist and therefore a womanly figure; it was far removed from the silhouette of a war-time uniform. Although the look was very polished and smart it was also very easy to copy. Combined with the introduction of mass-produced clothing of far better quality than ever before and using modern textile techniques with new synthetics (easy care, drip dry, nylon, acrylic, polyester and spandex) the look was accessible too. Shops such as Marks and Spencer sold their own versions or women made them up from patterns.

Both looks were matched with leg-elongating and fetching high heels. Round or peep toe were favoured. However, Dior then introduced stilettos at a fashion show in early 1952 and as we know the rest is history.

Other significant elements of fashion include the introduction of the dolman sleeve (wide at the armhole and narrow at the wrist) which was adopted into many outfits. Stand away collars came in bringing attention to the neck and throat, which were also highlighted by the shorter hairstyles, while the swing back coat (by Jacques Fath) was indispensable at drawing attention away from the stomach area; key at a time of post-war high pregnancy rates.

Accessories were another important post-war demarcation point because of their luxurious frivolity. Gloves were an essential, particularly in white or cream to emphasise elegance. Hats were still popular in the early 1950’s in a variety of designs including the pillbox and those styled very close to the head. Fur collars and cuffs (ahem, polite cough) and stoles layered on the glamour and fur even featured on brooches.

Of course handbags were crucial in finishing of an outfit and also indispensable in holding a host of newly available make-up made popular by colour Hollywood flicks and by the singers of the time. (The UK singles charts began in November 1952 with Nat King Cole, Frankie Laine, Doris Day, Vera Lynn and Johnnie Ray holding top spots). Max Fax brought make-up called Pan Cake, for a flawless finish, to the consumer so they could copy their film favourite’s looks such as Gene Kelly in Singing In The Rain and Diana Dors in The Last Page (both 1952 hits). Red was on the lips but so were shimmering pinks with matching nails. Stars such as Elizabeth Taylor were also having their hairstyles copied and then in 1952/3 a wave of copy-cat newbie Queen hair styles became popular.

And that was all just for day wear! In the evening the look was based on the same silhouettes; whether the look was demure floating in a full skirt or sophisticated in a pencil skirt it was all ramped up a notch with more glamour. Strapless dresses in fabrics such as chiffon (double helpings of swish) took centre stage with a supporting cast of boleros, short shrugs and gloves.

 

Fashion Trends from 1952

For The Guys


In the early 50’s Elvis was still a truck driver, rock and roll was in its infancy and the world was just about to experience the 'teenager'. In 1952 menswear was serious business. Since the end of the war women were encouraged back into the home so that men back from the war could take up places in the world of work and menswear was formal and professional consisting of uniform suits in dark hues. Generally the suit was simplified by taking out the shoulder pads of the 40’s, removing the double breast on the jacket and shortening the jacket and trousers slightly. This was the early 50’s concession to fashion. Sorry boys, not much glamour for you in 1952.

However, hats were really big! We don’t mean physically big, that would be ridiculous, it just wouldn’t have worked on a daily commute on the tube. Silly. No, but hats were very popular. No self respecting man left the house without one but the hat could be individualised through various styles, with the Fedora being a fave. They could also be placed at a jaunty angle – steady there!

A typical family chillaxing in the early 1950's
Casual wear for young chaps was basically a mini-version of men's styles or veered to the preppy Ivy League look which remained smart although the suit jacket was replaced by a comfy cardy. Out of the mainstream the teddy boy movement was gaining ground (though they weren’t termed teddy boys until 1953) with their appropriated and altered version of the Edwardian dapper.

All in all 1952 was still entrenched in the formal 40’s but with Dior’s dominant New Look everywhere the demand for luxury, femininity and glamour was met and then some. With thoughts of the war still being pushed to the back of people’s minds, Elizabeth’s accession to the throne in ’52, followed by a year’s preparation for her coronation, Britain must have had a jolly good knees up … and looked damn fine while doing so! Perhaps sixty years on it's our duty to go out there, do our bit, and bring vintage style to the streets of Reading.

Whatever your plans we hope you have a fab Jubilee weekend.

Love Frock&Roll


Picture credits: Fashion trends from 1952 reproduced by kind permission wesewretro.com

Friday, 18 May 2012

Date For Your Diary

Dear Frock&Rollers,

We are delighted to cordially invite you to a free and très exclusive master class in 1940’s hair and make-up on Wednesday 13th June, between 7pm and 9pm at the Frock&Roll shop.

RSVP
Ali: 07800 022359, or in store

"Just a smidge more blush and I'm there"
Frock&Roll has hosted a few in-store events since opening and we are thrilled to announce the latest in a series of hair and make-up styling evenings.

We're also very excited that it will be the lovely Amy Brandon will be coming in to share some top vintage tips. Amy is an accomplished Hair and Make-Up Artist and has worked in fashion and on music videos, adverts and photo shoots (amybrandon.com). So we’ll be getting the know-how from a true insider.

Amy in Action
Amy will be showing us how to achieve a flawless 40’s look with classic make-up to create a perfect pout and achieve the eyes of a Hollywood starlet. Amy will also be demonstrating various hair styles such as Victory Rolls and tricks to wearing a headscarf. There will also be time at the end for a quick Q&A session.

So if you have ever wanted to complete your vintage outfit with the look, love all things 40’s, or just fancy having some fun with hair and make-up styling this event is for you.

Spaces are limited so make sure you book early.

We look forward to seeing you on the 13th of June.

Love Frock&Roll

Friday, 11 May 2012

Vintage In The Office

Hi there lovelies,

Hope you have had a splendid week.

Well, it's May and if we're going to be able to afford this, this summer ...

We're All Going on a Summer Holiday
We're going to have to do a lot more of this, this spring ...

"Damn You Little Green Alien, I Need to Get to the Next Level to Beat Nigel in Accounts"
We may be daydreaming of lounging on a beach at sunset sipping Pina Coladas, complete with little umbrellas (very sophisticated) or of a bracing stroll along a windswept beach with rosy cheeks, before heading back to the caravan, complete with tea and cake ... but we've still got to drag our arses into work in the meantime to get us there.

However, just because we're paying the bills and saving the pennies for this year's great escape who says it can't all be done with verve or a dash of panache? Not us! Work doesn't have to be a sterile, style free place devoid of creativity or individual flair even if the work canteen is. Why not work your effortless vintage glamour and elegance at ... work. Lovely.

We've been having some fun putting workwear 3 looks together from 3 eras. All are professional, smart and stylish; to inspire some 9 - 5 vintage and retro chic.

1960's



Inspired by Mad Men this pert and prim outfit of matching dress and jacket is a classic. Paired with complimentary handbag and shoes; this is non-fussy and simple elegance. If this outfit had it's own soundtrack it might be Breakfast at Tiffany's.

1970's



How about breezing into the office with your big 70's curled hair swinging, bringing Californian sunshine style to a drab Monday morning? Easy and care-free; just touch up the lip gloss, pop your bag over your shoulder and off you go.

1980's



Yes, we're business women and we mean ... errrm ... business. With striking dog-tooth and a dash of red we can wow with confidence in Thursday afternoon's very important office supply meeting. This is the outfit to get your point across in - if you want bourbons you ask for bourbons! Don't put up with those digestives. Ok, ok, seriously the Fiesta scarf might not go with the blouse because of the bow but we had to include it - it's fantastic! But don't go thinking we put this article together just to get the scarf in, because we didn't.

Have a great weekend.

Love Frock&Roll

Photos: Deck chairs (c) Zoemichelle, Business woman (c) Netris, both StockFreeImages & Dreamstime Stock Photos, StockFreeImages

Friday, 4 May 2012

Students Advertise Their Creative Flair

Down on the very fashion forward Kings Road.  No, we're not talking Chelsea, but in our very own town of Reading. The first year students, studying for a National Diploma in Fashion at Reading College, have been beavering away on a special project to produce a marketing poster for a local business.

This is the second year that Frock&Roll has been approached by the course's Lecturer Emma Laird and enjoyed collaborating in this creative endeavour. Each project group were tasked to choose one piece of vintage clothing from the shop and then style it to create a winning look. They had to organise a photo shoot, which involved choosing & styling a model, picking a location and adding their own twist to the ensemble. They then selected an image and edited it to produce the final poster.

We're really blown away with the four groups’ different take on the vintage theme and thought we would share with you the great images that the students accomplished.


We love this cheeky look. It is a great image and very clean & professional. The pose is well executed and has heaps of personality. The use of red accents on the accessories and the phone catches the eye and pulls the whole poster together.  


This image has a very ethereal and gothic look. The choice of backdrop is perfect for the style of dress. We find it evokes thoughts of Kate Bush/Florence Welsh etc. The model’s hair and makeup is soft and in keeping with the theme, and the subtle look is mysterious, romantic and pensive. We like the fact it promotes individual style.


The model looks fresh and natural, the make-up is perfect and the dress looks great. The cute matching sunglasses and small earrings complete the look. The image makes you feel the model is very carefree, happy and comfortable; therefore making the clothing appeal.


This image really creates a story…is the girl waiting for a date or friends?  The look is very natural and un-staged, so you associate with the character and you can imagine being in her shoes. The dress stands out, looks great and feels fun, young and flirty.  The railings, trees and sunny day all tie in to complete this great look.

All in all, a brilliant job by the students. Bravo, we say! The final posters are all just fab and we will be displaying these in store shortly and also using some for our A-Boards.

Let us know what you think of these images?  Which one is your favourite?
Love Frock&Roll